When surveying the psychological wreckage of my childhood, two central, pre-SSRI coping mechanisms emerge as tropes: my love for animals and the escapism provided by music. People in my family of origin are not exactly known for being in touch with their emotions, and I am not too much different: to this day, I can relate more freely and openly to animals than I can to people, and there are times when I cannot reach my own emotions until I hear a song that calls something up in me and allows me release.

Example: when we went to put Sidney down, I couldn’t really cry. I tried to cry. I cradled her head in my arms and I told her goodbye, and that it was OK. Both Mr. Right-Click and my stepfather (both of whom were in the room with me when she was anesthetized) had tears running down their faces. I kept thinking, “I am sad, I should be feeling sadness now, this is a horrible situation and I’ve dreaded this day, why am I not crying? Why can’t I cry?” But all I could manage was a few tears that dried up pretty quickly.

When this happens I always feel like such an asshole. Like, I know I am upset but for some reason I cannot go through emotions like a normal person. I feel like people must think I’m dead inside, and I think maybe I am dead inside, because didn’t I really love this dog? Didn’t I use her and Ryan as a surrogate family during my late twenties and early thirties?

Then I heard an old Prince song (of all things) and oh yeah! there it is — all of the sadness, all of a sudden — now that I’m disjointed from the reality of the loss it hits me, linked somehow to this stupid song by Prince about an abandoned woman and Prince’s desire for nothing more than a one night stand.

I asked her if she wanted to dance
And she said that all she wanted was a good man
And wanted to know if I thought I was qualified.
And I said: Baby
don’t waste your time
I know what’s on your mind.
I may be qualified for a one night stand
But I could never take the place of your man.

[WHAT THE FUCK?!]

When I took this Freud seminar in graduate school the instructor said that the great thing about Freud for literary critics is that the assumption is that everything is always overdetermined — that you cannot really read into anything too much, because the meaning is in the work of figuring out the meaning. So I thought, maybe it was the year the song came out? Maybe it was the year I got Sidney or something? But no, my reasearch assistant, Mr. Wikipedia, informs me that, though originally recorded in 1982, “I Could Never Take The Place Of Your Man,” was a single off Prince’s 1987 album, Sign O’ The Times. In 1987, I was a freshman in high school, a time that was fraught with difficulty but still years and years away from when Sidney (2001) or even Ryan (1993) became part of my replacement family.

But then again, the song — however superficially — is a song about replacing a loved one. And isn’t that what it’s all about? Isn’t that what animals did for me throughout my childhood, and what Sidney and Ryan did for me in early adulthood? Aren’t we all just looking for a good man (or whatever) to take the place of something or someone that disappointed us? Wasn’t that what my late twenties and early thirties were all about, in some form or another?

(Oh, and not for nothing, Prince, but I’m going to call bullshit on the whole “baby don’t waste your time” bit, because I have a little experience in this area and I can tell you that is never, ever what they say. But nice try.)

Because these music-related emotional outpourings always occur at wonderfully opportune moments, I also had one at my brother’s wedding last month (“Crimson & Clover” this time — still haven’t been able to deconstruct that one). When I tried to articulate what was wrong with me to Mr. Right-Click, I said, “I always know that I don’t have a family, not really. I know it intellectually, but sometimes I don’t believe it until I have to.”

Mini, in another room of the suite, but apparently still listening, said, “Mama, I will be your family, OK?” And Mr. Right-Click said, “Yes, honey, now we are your family.”

And I guess that, too, is what it’s all about. The feelings hit you when they hit you, and the good man comes when he comes, in whatever form you can manage at the time. My animals were mine for over a decade, and with Sidney’s death that time is really over now. I feel sad, and even so maybe it’s not the worst thing to be able to feel feelings, even if you have to use 80s pop music in order to get there.

Anna Edie Mini

Last Friday I wrote a guest post about being an alcoholic for Stefanie’s blog, and some of you guys went over and read it. One of you, in particular, who has been reading me for a long time, liked the post because you said it felt “real.” This made me think a little bit. Because I like to think that what I write here is always real, but sometimes I take a particular slant to things or emphasize one thing or the other, but it’s all genuine, so that’s real, or a version of reality, right? But then I was thinking, there’s definitely a difference between what I ordinarily write and a post like this one from BHJ View definition in a new window, which I could have written, maybe, if I were a little bit more gifted, and also a little less self-conscious about form. I don’t have a close friend who killed himself, but I did have Tanya, which is pretty much the same thing, she was cast in the same role, more or less, as Skip was for BHJ View definition in a new window. But instead of just writing about that, I have to change everything around into some different form, I’m going to “fictionalize” a part of my past, and put it in the second person, and that way you will all know that I’m writing about myself but I can still feel detached from it a little bit, just enough to write about it.

Surcey, your comment made me think about the topics I haven’t really talked about here, and why. Some of them are for practical reasons, but others are . . . I don’t know why. I guess sometimes I feel worried that I’ll sound like I’m feeling sorry for myself, or that I’ll hurt people’s feelings. But the thing is, who am I writing this for, anyway? Are these people I’m worried about actually reading this blog? And if I sound self-indulgent and like I’m feeling sorry for myself, well isn’t that what most bloggers do, anyway?

Just give me a couple ideas to riff on and I will go on and on about genre for like fifty years and bore you all to death.

Here’s what I’ve been thinking about lately: I’ve been thinking about what I would have to do to Mini to make him into a kid like I was. I don’t want to make him into a kid like I was, mind you, I’m just wondering what it would take to do it. Because when you’re a parent, you start living your childhood over again a little bit through your kid. And the other day, Mini had just gotten this toy robot from a store, just a little black robot that kind of wiggles and walks, and he was so excited about it, and proud of it, the way two year olds can get about things that are new (which is pretty much everything, when you’re two). And one of his grandparents was there — I won’t tell you which one — and that grandparent looked at the robot and said, “I’m not impressed,” and then two things happened in quick succession: 1) I seriously considered the consequences of punching said grandparent in the face with a closed fist; and 2) I saw the air deflate from Mini’s chest — just a little bit, since it was someone he barely knows anyway — but still enough to almost bring me to tears.

A few years ago I ran into an acquaintance of my parents’ who had not seen me since I was in high school. I spoke to her for a few moments and thought nothing of it until I later heard that this woman had been shocked to see me so happy and functioning so well. She had said that, as I child, I had always struck her as “morose.” I cannot argue with that assessment, and certainly the addition of anti-depressants to my life has something to do with that change. But still, I go back to wondering what I would have to do to Mini to make him into a morose child. Is it some kind of switch that gets thrown at some point, and parenting has no real effect on it? Or is it even more banal than that — too much time left in a crib or a play pen, not enough Mommy and Me time, not enough declarations of love and value? I don’t know. I think about it, but not because I’m worried about it. I already know that Mini’s experience is totally different from mine, and I never worry about him the way that it pains me to think of myself as a child.

This morning I was getting Mini ready for school and, as has been the case of late, he was not pleased about it. So I told him, “Mini, you know that even when Mommy’s not there, she’s with you, in your heart. Just like I always carry you with me, in my heart,” and I pointed to my heart. I think he understood me. I never decided to become a good parent. It’s not like I set about studying how to do it, or what I should do when, or had a checklist of the stuff that I should do to make him happy. I just had a baby and that imperative was there, to protect him and hold him close to me, and over time that grew into something more like a special bond. I don’t think to myself, “I should go snuggle Mini,” or “Have I told Mini that I love him today?” or “Maybe I should tell Mini his new robot is cool.” I don’t think about any of that stuff with Mini. I just do it. I don’t really see why it’s so hard.

People, if when you finish this, you decide you haven’t had enough myopic navel-gazing for a Friday morning, please go check out my guest post today at Stefanie Wilder-Taylor’s blog, Baby On Bored. We’ll be talking about not drinking, so be sure to bring your dancing shoes.

The first time you met somebody who shared your same name, it was the summer following seventh grade, at soccer camp in Montecito. For the Jennifers and Heathers and Tiffanys of the world, this kind of thing happens early on, before anyone knows that it is strange. But as it was — though there had been plenty of Anns, Annes, and Annies in your past — there were few, if any, Annas wandering about your section of Southern California. To meet another one was eventful, if for no other reason than because it suggested that there might exist a place somewhere in which you would not always be just slightly different, always just a little bit off.

You were at soccer camp with Cindy Corsakov, the girl from Clearpoint who had befriended you on an AYSO soccer team the year before. You had never met somebody like Cindy Corsakov: effortlessly social, bubbly, and so generous with her compliments that you guessed she must be under the mistaken impression that they were something that grew freely on trees, rather than being a resource so rare and precious that they required a specially trained pig to sniff them out. Cindy’s world was intoxicating, if suspicious: everything was fun, everything was exciting, and each new person represented a new opportunity, instead of the need for devising a new defense mechanism.

And when she flattered you, there was such a mastery in her light hand that sometimes you caught yourself believing that the things she said about you were sincere. You began to think of her compliments not as flattery, but rather the natural response that came from dealing with someone so wonderful as you must clearly be. This was how she became one of your best friends, and it was how she remained one of your best friends for precisely two years. After that, there was to be a dramatic falling out, the specifics of which you would misplace among other lost artifacts of tweenage years, packed away where they could never again be found, along with your faith in the nice things she said, of which you would claim to have been suspicious all along.

You were at soccer camp with Cindy, but this was not the first time you had been there. This time was to be so different from the first year — last year — which was the year that you were told you would be rooming with Megan Fairfield, only to discover on arrival day that Megan had already made plans to room with Courtney Valentine, because they were best friends, after all. And really, you only knew Megan a little bit, it was your parents who were friends, and besides, everybody felt bad about the mixup, and that’s why one of the adults came up with the idea to bring in a third bed into that tiny room that housed just one pious seminary student during the academic year. They had all agreed that this would be the best plan — three girls in a dorm room — that it was the only way to be certain that nobody would be left out. The adults, of course, had been careful to wipe away from their language any indication of who might hypothetically do the leaving and who my hypothetically be left, and you went along with the plan, superficially, agreeing to it as if it were not the worst idea you had ever heard in your life. You allowed them the luxury of feeling better about things, holding out just long enough so that your parents could get back into their yellow Volvo sedan and drive away. And then you gathered your things from Courtney’s and Megan’s room and went next door, and silently went about unpacking your things and making up your bed, again, and the business of applying yourself to soccer: the love of it, and the getting-better-at-it of it.

But this year was different.

You were still only there for one week, but this was a different world. There were kids who became girlfriend and boyfriend for the week, making out in the tiny dorm rooms in between soccer practices and cafeteria lunches. As it happened, the room you shared with Cindy was uniquely situated so as to facilitate late night discussions out the window with the boys two floors below. This was how you first heard the eponymous Violent Femmes album, shocking as it was, and why when you went home you would go into Licorice Pizza and ask for the cassette version of it with a muted voice, requesting that the counter clerk give you the one with the picture of the little girl looking through a window on its cover. This year, instead of studiously ignoring the social element of soccer camp, you were in the center of it, and it was a relief, for once, to not have to worry about what people thought.

The Other Anna was a year younger than you and she was from Encino. You were not totally sure where Encino was, but you did know that the wealthy girl in The Karate Kid had been from there. Based on this, you figured that Encino — wherever it was — must be a pretty exclusive place, if the object of Ralph Macchio’s affections had hailed from it, and so The Other Anna must be a child of privilege. Naturally, there had been other demarcations of class, though you would not have recognized them as such at the time: her hair was long but boasted perfectly feathered sides the likes of which you had never been able to accomplish with your own hair, and her clothing covered the requisite brand trifecta of tweens of the early-to-mid-eighties (Guess, JAG, Esprit). But most significantly of all, while the rest of the soccer campers used regular Chapstick during long days on the soccer field, the Other Anna had Bain de Soleil lip balm, which came in a delicate case with a longer, more elegant cap.

The Bain de Soleil lip balm was of particular note to you because it was the very brand you had begged your own mother to buy for you for soccer camp before leaving home. She had refused, and the decision had been logical: Bain de Soleil lip balm was twice as expensive as PreSun15, which clearly worked just as well. That your family could have afforded the Bain de Soleil lip balm was besides the point: it was a needless expenditure of extra money based on superficial preference for packaging. Had you been older, or better trained in pitching the intangible differences and market value of things like beauty in presentation and subtle social language expressed by commodity choices, perhaps you might have negotiated better for yourself. Perhaps then you might have been able to convince her of how essential it was to have the Bain de Soleil brand, but instead you were stuck with the PreSun. But to be fair, though there was no way that the fact the Other Anna had the Bain de Soleil lip balm could escape your notice, it only bothered you slightly. Because this year, you were with Cindy, and you were having a great time at soccer camp, and the subtleties of lip balm envy are nothing when you have already survived a week long camp with no roommate and come back for more.

It had been hot that week, and you had taken to putting the PreSun around your eyes to keep them from getting sunburned while you were on the soccer field. It was a stop gap solution to stopping the sunburn damage, and you had made it in the moment, and thought nothing of it, at least until the Other Anna came up to you and asked to see the lip balm that you had been putting around your eyes. You agreed, though you were unsure as to why she cared, and the Other Anna looked at the lip balm, examined its lackluster brown and orange packaging, and then looked at you with something like unkindness and disdain. She demanded to know why you had been putting it around your eyes and you explained that you had been sunburned, that you just wanted something there to protect that skin from the glare. The Other Anna continued to look at you with annoyance, until she ceremoniously dropped the tube PreSun into grass in front of you, like something not worthy of her time or touch, and walked away.

Surprised, you picked up the PreSun and put it back in the pocket of your soccer shorts. You did not know what to make of The Other Anna, much less of the subtleties of tweenage caste systems and the semiotics of lip balm in Southern California. And besides, before you could blink, the ball had been thrown in again, and . But before you could figure things out, the ball was thrown in again, and the Other Anna was off towards the other goal, and you headed back to defend yours, before the rest of the week blurred past you with the kind of speed that only the last breaths of childhood can carry.